Showing posts with label Hayley McKay. Show all posts
Showing posts with label Hayley McKay. Show all posts

Sunday, 22 January 2017

New Music Review #23

Here are our latest ten recommended tracks!

Amy Macdonald - Dream On



It's been a long time since we've heard from Amy Macdonald but this is a very welcome return. Bouncy, poppy and very singable this is a great comeback track and now one of her best. (8/10)


Biffy Clyro - Flammable



Biffy Clyro's recent singles haven't been their best but this feels more like a return to form. It doesn't have the huge chorus that we expect from them but it's good for a quick spin. (6/10)

Bon Jovi - Born Again Tomorrow



'Born Again Tomorrow' is another one of those uplifting little numbers that Bon Jovi occasionally whip out, and if you can overcome the cliched vibe and lyrics it's actually pretty fun. (6.5/10)

British Sea Power - Bad Bohemian



Stripped back and so indie it hurts, the latest from 'British Sea Party' never really steps up above a one-level tune, but it's chorus is pretty catchy and it's one of their best recently. (6/10)

Hayley McKay - Unspoken



'Unspoken' is a beautifully sung track with verses and a chorus that both compliment each other, with plenty of heart injected into the lyrics. Beautiful. (8/10)

Jesse & Joy - Helpless



Their last single 'More than Amigos' was an absolute joy and whilst this doesn't stand up to that song (it was a real corker) this is still a great follow up, delivering a smoother more heart-felt ballad with a bigger country sound and a touching chorus. (7.5/10)

Maximo Park - Risk To Exist 





Even speaking as a big of the Park, it's difficult not to feel that there's been a law of diminishing returns on their albums and though 'Risk To Exist' is in the band's mold and a strong enough listen it's still pretty average compared to their heights. (5.5/10)

St. Paul & The Broken Bones - All I Ever Wonder



'All I Ever Wonder' takes a little bit to get going but when it hits the chanty, layered vocals of the chorus then the heart of this gospel-tinged number shows itself. Nice. (7/10)

Tom Walker - Play Dead



With his husky voice, 'Play Dead' is the breakthrough single from Tom Walker and it's a great little showcase of what is to come. (6.5/10)

Una Healy feat. Sam Palladio - Stay My Love



Here at KBPS we have a soft spot for country, and this ballad is a beautiful example of the genre when the lyrics and vocals are spot on. Beautiful. (7.5/10)

Tuesday, 17 January 2017

KBPS Interview: Hayley McKay

Hayley McKay is a singer/songwriter from Darlington who has immersed herself in music and the performing arts throughout her young life. She has just released a brilliant new single called ‘Unspoken’ and we got to speak to her fresh from filming a slot for television down in Bristol.

How did filming go today?
It was good! It’s my first time in Bristol. It was a nice view and good fun!

Your new song ‘Unspoken’ is out now. How would you describe it?
It’s quite a heartfelt ballad with piano and haunting guitar in the background, and my voice is quite powerful out front with nice reverb on it.



What was the inspiration behind it?
I wrote it with two other songwriters from Brighton – Pete Howard and Matthew Prizzi – who produced it. We were all on the same wavelength for the song [and] we knew what it was all about. It was from, kind of, personal experience. It is something that most people can connect with.

The video is online now, set on quite a windswept beach. Was that enjoyable to make?
It was in Northumberland, just behind Bamburgh Castle. It was in November so it was cold [but] we had a laugh [and it was good fun]. We ended the day with some fish and chips and we were all in there with our coats and hats for half an hour until we had to take them off!

Are you also working on an album?
We’ll soon be working on the next single and at the start of summer we’ll be recording the album. I’m really excited as I’ve got lots of new material and a band now as well. I’m excited to share this new sound and new songs with people!

How is the writing going?
Some of these songs I’ve had for a while, whilst some are brand new. I love the writing and creative aspect of it and seeing my song growing from a few words on the page to the full production is fantastic.

You’ve also had live dates recently put a headline gig next month. How are preparations going for that?
Yes, good! That’s on the 9th February in the Cluny. It’s a great venue. We’ve been rehearsing and we’re really excited for it.



For those who’ve not seen you live yet, how would you describe your live sound?
It’s a range of songs; some upbeat, some slow. We’ve got a violinist who is amazing and we’ve got keys, a bit of synth [and] a bit of piano. My voice is country-ish so some of the songs are British Country, but they’ve all got a pop feel to them [that’s] quite catchy. We’ve got guitar and drums, so it’s a bit of a new sound really! I think people will definitely have a good time listening to the music. We get people up dancing!

Are you a fan of British country?
I love country music. I went out to Nashville a couple of years ago. I Love Dolly Parton; she’s a story-teller. I love listening to country music because of the story-telling aspect. It’s heartfelt. I’d say my voice is quite country, but not all ‘yee-hah’ American country. It’s a new kind of country sound that we’ve got and something that’s naturally formed.

You’ve toured with Scouting For Girls, Tom Jones, Tony Christie and many others. Was it great to be asked to gig with such acts?
It’s been really good and they’ve been fantastic gigs. It’s just been great to support such big acts as you’re drawing in new fans and it’s just a fantastic experience and some of the stages have been brilliant. [The] Tom Jones [gig] was in a massive tent on the Isle of Man and the biggest tent I’ve ever been in! I’ve supported Scouting For Girls a couple of times now. The second time was at the highest pub in England and it was snowing that night, and it was absolutely packed! Each gig is different really!

You studied at The British and Irish Institute of Modern Music. What was that experience like?
I went to the one in Brighton and Brighton was such a creative place. It was great being around such a place as it’s really inspiring, and lots of people inspire you. I was song-writing with like-minded musicians. And I did a course called ‘Access to Music’ about artist development and again that was great to be around like-minded creative people.

Finally do you have any big ambitions for the rest of the year?
It would be great to get some of my songs played on national radio and have a wider audience. I love travelling with music so to travel more with the band and get some big festivals [would be great]. It’s all very exciting and last year was full of great gigs and opportunities so things are looking really bright!


Thursday, 29 December 2016

New Music Review #19

Another ten tracks we recommend!

Adam Lanceley - Those Rose Tinted Days

'Those Rose Tinted Days' is a driving indie-number with a positive vibe that lifts it up, creating a strong indie feel to the piece. (6.5/10)

Chromatone - Fever

With a funky seventies vibe, 'Fever' boasts a catchy chorus and a great electro-synth vibe. Great. (7/10)

The Everly Pregnant Brothers - Chip Pan



There's a bit of a karaoke feel to this record that makes it less appealing but in terms of witty lyrics and a retro throwback it's hard not to laugh and enjoy the parody of Kings of Leon. (6/10)


Fancy Cars - Set Me On Fire



'Set Me On Fire' is a soaring indie-club number that builds up and avoids some of the expected tropes as it gets a little more dance-focussed. (6/10)

Hayley McKay - Unspoken



McKay boasts some great vocal chords and when combined with this touching, well written stripped back pop ballad it shines. (7/10)

The Imagineers - Utopian Dreams (Radio Edit)



There's a bit of a Muse feel to this dark sounding record, before it gets into more of a sixties-indie feel. Great and different. (6.5/10)

Janet Devlin & Jason Nevins - Outernet Song (Remix)




Here is a great bouncy remix of one of our favourite songs of the year, keeping the message whilst adding a more club-friendly feeling. (7.5/10)


The Lancashire Hotpots - Hotpot Funk (Don't Forget The Red Sauce)



We don't really need another Uptown Funk parody, especially one year on, but the Hotpots have recorded a cracking little parody, and though the music is more karaoke backing track than their usual offerings this is very funny and even boasts a sing-a-long section. (7/10)

Steve Aoki & Louis Tomlinson - Just Hold On



It's perhaps a little generic but there's something upbeat and likeable about the record that keeps you listening. A good one for the clubs. (6/10)

Tony Shaw - Take Me Away (Karrades Club Mix)

'Take Me Away', in its remix form, is a catchy, fast club track that grows with each listen. Well worth a punt. (6/10)