Showing posts with label The Alibi. Show all posts
Showing posts with label The Alibi. Show all posts

Monday, 12 June 2017

KBPS Interview: The Alibi

Hailing from Dartford, The Alibi take inspiration from their bleak surroundings and write about what they describe as a black and white town under a sky of colours. A place that influences the industrial soundprint of their core sound, they write about what they see. Political observations, justice, the current social unrest - they create songs that matter about life as they see it and play them with passion and force.

We got the chance to speak to Harry Love from the band about their brand new single ‘No Solution’, their hopes for the year and their recent live successes!

You recently performed at the Camden Rocks Festival; how was that?
Camden Rocks was enjoyable! It was something we haven’t really done before so it was great getting to know the other bands that are going about, and it’s cool to see that there is a rock and roll movement. It’s cool to see that their other bands aspiring to the same stuff that we’re doing!



How would you describe your live sound?
It’s a hard nail to hit on the head as every show is different, but we’re a rock and roll band and we’ve got a message to put across to people, so we spread our message through our lyrics, through our instruments that we play, and the way we are on a stage. It’s a night to remember!

You’ve also done acoustic sets on Facebook; was it interesting to take your music in that direction?
Yes! That was fun. We had a gig on the Saturday night. We’d hardly got any sleep and when we woke up on the Sunday our drummer was like ‘let’s do an acoustic set in an hour!’. We were like ‘go on then’ so we had an hour to quickly get our set done acoustically, but it was cool to hear it all stripped back again. The way we like to write is to write acoustically. We haven’t heard the songs that way in quite a long time so it was interesting!

Your new song is called ‘No Solution’. How would you describe it?
‘No Solution’ is a cry for help for the younger generation. It’s plain to see now through the general election we’ve just had, and it’ll be interesting to see how many young people carry on caring about the state of our country and the world. It’s a cry for the younger generation to get their voice and their points across. We write about real things; we don’t write about made-up stories. We write as we see it and we hope that the rest of our generation see it the way we do.

The crazy thing is that we wrote the song maybe a year-and-a-half ago. It shows that there is no solution!

The video for the single has some very startling imagery mixed in with political images; was that important for you as a concept?
Yes. The whole storyboarding did take a couple of months to get it the way we wanted it and our message across. It’s one thing having the message through the music but the visuals, especially in this day and age, are a big part of it. A big hand to everyone who was part of that video; they hit the nail on the head!



Do you feel strongly about having something to say in your music, politically or otherwise?
It’s funny you should ask that as there have been days when we don’t want to be too politically engaged, but it always ends up being about the way we see the state of the world. I’d like to say we are politically charged, as it’s a shame today that musicians don’t take note of what’s actually going on in politics. Music from day one has always been a rebellious art and movement. It’s interesting to see that there’s not a lot of artists doing that any more.

Was the recording process of the single a good one?
Yeah, we love going into the studio! It’s just as good as playing live shows.

What are your plans going forward from here?
I think we’re going to release the second single in a couple of months’ time. We’ve got the album ready to go so as soon as things start picking up the albums going to be out there. We’ve got shows coming up everywhere. We’re playing a festival soon. This Thursday, local to us in Dartford, we’ve got the final heats for the Battle of the Bands at this year’s Dartford Festival, so it’ll be interesting to see how that goes!

How are preparations going for that?
Good! We’re always playing in London so it’s nice to come back and play some local gigs in front of a local crowd, and it’s always funny that you get the one person who may have seen us locally, say, two years ago but has seen our progress online and they may come and see us and be like ‘No way, you’re the same band!’

Finally what are your big ambitions for the rest of the year?
By the end of the year it would be cool to have this as our full time line of work. We all work independently elsewhere, probably on careers we don’t want to do. We put every spare minute into this, with blood, sweat and tears. Some people don’t seem to appreciate that sometimes, so it would be good to get onto some big festivals, get a record out there and make a name for ourselves. The biggest ambition of the band has always been to play Wembley – that’s the one! Got to dream big!


Wednesday, 31 May 2017

New Music Review #59

Ten more songs that you must hear!

The Alibi - No Solution

'No Solution' is a hefty rock number but with enough of an ear for the radio to give it some more memorable moments to listen back to. (6/10)

Ayo Beatz - Make It Right



Summer is always the time when we want to hear from ska and reggae-infused songs and this is one of those, mixed in with an urban feel. It perhaps doesn't get to the big chorus that you'd expect but is fun, clubby summer number. (6.5/10)

foreverandever<3 w. Sameblod - feel smthn

I'm not sure what it is about the song that I like but its quirky production values, reluctance to fit into a box and a vocalist that sounds like Justin Bieber if he was interested in what he was singing, make for a heady mix. (7/10)

The Ghibertins - Breathe For Me

With hints of Ronan Keating in the vocal style, this is a touching, on-point indie-soft-rock number with a strong central heart to its lyrics and a dramatic build up of strings that give it a haunting quality. (7/10)

Hanson - I Was Born



Back to celebrate their 25th anniversary (!!) this is a great pop-indie comeback song with a Bryan Adams-esque soaring chorus. Quickly catchy and bouncy - love it! (7.5/10)

Jonas Blue feat. William Singe - Mama



It might embrace more music cliches than I could list but it's a poppy, summery number with a catchy enough chorus and not too many club-music tropes to drown it in familiarity. Singe's vocals help lots. (6.5/10)

Mike & The Mechanics - The Best Is Yet To Come



Mike and the Mechanics' comeback continues well. Though this isn't quite as great as the last song - it's pretty subdued and low-key - it has a strong enough production and chorus to keep you interested. (6.5/10)

Miley Cyrus - Malibu



After the headline grabbing wrecking ball-era, 'Malibu' goes in the completely opposite direction as a mid-tempo, subdued, stripped-back indie-song that has its moments of pop amongst some quite somberly delivered moments. Something different from her. (6.5/10)

Steve Rodgers - I Will Grow



'I Will Grow' is a smooth, atmospheric, dark number with hints of Richard Marx in its slow, building delivery and gentle, stripped-back, outlook. (6.5/10)

Tuxedo - Thank You



I keep hearing more from Tuxedo and enjoying everything they put out. 'Thank You' is perhaps not as immediately great as the others but it's 70s-throwback Chromeo feel will put a smile on your face and get you moving. (6.5/10)