Showing posts with label The Moods. Show all posts
Showing posts with label The Moods. Show all posts

Saturday, 14 October 2017

KBPS Interview: The Moods

After an incredible summer of brilliant gigs all over the UK, The Moods are coming home to launch their highly-anticipated debut album.

On the 8th September, The Moods bring their electrifying live show to Manchester’s landmark O2 Ritz. The gig heralds the forthcoming release of Missing Peace, their thought-provoking and innovative new album.  

P.O.P. (Profit over People), is the new single to come off the album, and is an addictive anthem with a powerful message. At a moment in time when music is a crucial part of the push for social change, this breathtaking track is both resonant and relevant. Missing Peace showcases The Moods’ talent for producing mighty music with substance and grit. The Moods will make you dance, and then they’ll make you think.

We spoke to Paul from the band and began by asking him to describe their new single P.O.P. (Profit Over People).
Musically it’s got little tinges of reggae. It’s quite drum and bass driven, and then it’s got the underlying political message, which is what we have on most of our stuff, it’s something we’ve always done. Lyrically it’s very driven about politics, about things that have gone on around the world, and things you see day to day on the news, things that people aren’t happy with.



It's a rather political song; was that important for you as a band?
Definitely. It’s something we’ve always done as a band. We like to make music that’s upbeat and dancey, but we always like to have an underlying message to give people something to think about as well!

How is The Moods made up as a band?
[We have] quite an unusual set-up. There are ten of us in the band. We play with two live drummers, who play at the same time, then bass, and keyboards, four vocalists – two rappers, two singles – and a trumpet player, and a violinist.

That must be great when live to bring your music to an audience?
Purely with the number of people on stage we have a great time on stage between us! It’s exciting for us on stage and that permeates into the crowd, when people see us having such a good time on stage, and it’s something the people pick up quite quickly on and get involved in, and I think everyone has a good time at our gigs!

You performed a lot of gigs this summer; how did they go?
Brilliantly! We did a tour for the single ‘Joy’ up and down, all over the country, and a few festivals, and we’re just about to set off on another 15-date UK tour for the album.

How would you describe a typical show?
I’d like to think it’s quite exciting to watch on stage. It’s very energetic. With so many people on stage, it’s interesting to look at [as well] as how it sounds. Everywhere you look there’s something different happening and I’d like to think it’s an exciting experience for people!


How did the video come about for the single?
That was made with a company called ‘Craftwork’ who also did our ‘Joy’ video. The idea was, because there’s a lot of rapping in the tune and a lot to take in, we came up with the idea that the lyrics should be prevalent on screen. We got a lot of emotive images tied in with the lyrics on the political side of things but we wanted it very clear about what the rappers are saying so people can absorb what is being said with the lyrics flashing up on screen.



What has the reaction to the video and song been like?
It’s been very good. We managed to get a deal with Vevo who released the video, and that’s been a great platform to push it to a wider audience. It’s gone down well; people have really enjoyed it. Out of all our songs live it’s the one that gets the biggest reaction. It’s going well.

What's your album 'Missing Peace' like?
There’s a bit of everything on there. It reflects the fact there’s so many of us in the band, how we’re all into such different music, different genres, and tied all that in nicely. The political lyrics mix with house music, drum and bass, reggae, so there’s a little bit of something for everybody. We’ve consciously not pigeonholed ourselves into a set style of music, so it can be a little more accessible to people who are into different styles of music. The album’s out now; we struck a deal with HMV so it’s in those, and Rough Trade has stocked it, which is great for us with all the great music that has come out of Rough Trade over the years, such as the Smiths with us coming from Manchester. It’s really good that they got involved!

Your music is also showcased in a 2018 film; could you tell us a little about that?
It’s [Strangeways Here We Come] due out in spring, as far as I know. Michelle Keegan is in it [as is] Eastender’s Nina Wadia, quite a lot of recognisable faces. From what I’ve seen of it it’s kind of got the Shameless vibe [with] very dark humour but gritty.

How did that collaboration come about?
It was through Terry Christian. He’d been approached to suggest songs for the soundtrack and he’d put a couple of ours forward and luckily they loved both of them. One is on the end credits and the other is used for the trailer for the film, so we’ve been quite lucky with that side of things.

Finally what are your ambitions for the next six months?
We started working on our second album before the first one was done and dusted so we like to keep moving, so once the tour is out of the way getting things ready for that. In terms of next year we are looking for another big [live] date in Manchester and then getting into the bigger festivals and in front of the bigger crowds!

Find out more about the band at https://www.facebook.com/themoodsmanc/ or www.twitter.com/themoodsmanc, and get a copy of the album now available online and in all good record stores.

Friday, 6 October 2017

New Music Review #95

Let's have another ten songs you need to hear!

Fall Out Boy - The Last Of The Real Ones



'Fall Out Boy' continue to release some great singles with great beats and catchy rhythms, and this is another strong one. (7/10)

FELIN - 21st Century

'21st Century' is a punky number with hints of the Ting Tings at the time of their first album, but with much more bite. Catchy and interesting, this is a cool little indie hit. (7/10)

 


Flora Cash - Roses On Your Dress



'Roses On Your Dress' is a beautifully sung and flowing ballad held up by Cash's very listenable and emotional voice, with the simple production escalating well, with the Enigma-like breakdown adding to the relaxing and touching feel. (7/10)

Hailee Steinfeld & Alesso (feat. Florida Georgia Line & watt) - Let Me Go



A little bit clubbier in production than I was expecting from Steinfeld, but this collaboration of four artists works well, giving a bit more bite to their regular country sound with a powerful chorus. (7/10)

Hermitage Green - Lions Share

With a dark swagger in its verse leading into a more positive and faster bridge and chorus this is a building indie number that stands out as a great Kasabian meets Kings of Leon style number with strong production values and interesting use of instrumentation. (7/10)





Iffy Orbit - Not Good Enough

'Not Good Enough' is a smooth and gentle downbeat slice of electronic-indie with a chilled out vibe that compliments the introspective lyrics. (6.5/10)




Jordan Klassen - Housefly



'Housefly' is a delightfully classical sounding stripped back number with Klassen's ethereal and gentle vocals complimenting the string sounds beautifully. (7/10)

Kelly Clarkson - Love So Soft



Quite different from what you'd expect from Clarkson this rnb-enfused number gives a bit of polish and variety to her usual sound. Nice. (7/10)

The Moods - P.O.P (Profit Over People)



One of my favourite songs around at the moment, this is a political-heavy tune but one that will get you dancing as well, it's mix of upbeat dance and fast-paced grime and RNB work really well together with hints of the LaFontaines. Brilliant. (8/10)

Tom Dibb -  Hit The Road



'Hit The Road' is a delightful little pop-country number with an ear-pleasing stripped back vibe and a positive, optimistic tone that will get the edges of your mouth curling into a smile. Plus it's very singable. (7/10)

Monday, 28 August 2017

New Music Review #84

Ten more great songs you need to hear!

Anastacia - Caught In The Middle


Back with a new clutch of singles, 'Caught in the Middle' sees Anastacia back with a mid-tempo power ballad with another hooky radio-friendly chorus and a strong rhythm. Welcome back! (7/10)

Camila Cabello feat. Young Thug - Havana


Proving that leaving Fifth Harmony was her best move, Cabello brings out this funky spanish-influenced number that mixes up her smooth vocals, catchy chorus and even Young Thug fitting in better than usual. Cool. (7/10)

Chase & Status feat. Emeli Sandé - Love Me More


From a Chase and Status point of view it's pretty much business as usual with a rather generic music track, but it's saved by the delicious vocals of Sandé and the heartfelt lyrics. (6.5/10)

Christine McVie & Lindsey Buckingham - Feel About You


With hints of early Calvin Harris in its synth work this is a smooth and silky catchy little pop song that is the best of their collaborations yet. A sunny slice of optimistic pop. (7/10)

Enter Shikari - Live Outside


Built around a hook-filled chorus, this is both a great song and video with an array of styles and a crisp sound, plus some rather timely lyrics and thoughts. (7.5/10)

Kila - Raise The Road (Live)

'Raise the Road' is a stripped back folk song, performed live, with a great mix of instruments, harmonised vocals and a clap-along rhythm. Great. (6.5/10)

The Kooks - Broken Vow


Taken from their current greatest hits album, this is classic Kooks in the vein of their big period with a huge singable chorus and a really fun upbeat vibe. Great. (7.5/10)

Michael Malarkey - Mongrels 


Sounding like a slower take on Billy Joel's Piano Man performed by Chris Rea, the gruff-voiced Malarkey tackles this gentle, swaying number that balances a distinctive vocal style, smooth lyrics and a gentle lilt with aplomb. (6.5/10)

The Moods - P.O.P (Profit Over People)

Mixing up the sound of Wiley with Chase and Status and John Newman, this is a really upbeat catchy politically-charged dance track. Gets you moving and nodding in agreement. (7.5/10)

Red Ray & The Reprobates - Giant Song (Radio Edit)



Yee-hah! If you like your country music very quick and quirky then this fast-paced hoedown of a song will get you shimmying over to our nearest line dance. Or something like that. (6.5/10)