More music for your listening pleasure! Alesso - Falling
'Falling' is not massively revolutionary - it's a pretty by-the-numbers dance track - but it's catchy and danceable enough to hold together, held together by the alluring lead vocals. (6/10) Circa Waves - Fire That Burns
'Fire That Burns' is not their best but it's another perky little pop song with indie overtones that give it a bit more bite. (6/10) Flo Rida feat. Sage The Gemini - Game Time
Let's by honest: the lyrics are naff, the production cliched, and the vocals heavily autotuned, but there's something catchy about the record amongst its absurdity, though not sure about the dubstep-basketball-sound-effect breakdown. (6/10) Gary Barlow - Yorkshire
Taken from the new 'Calendar Girls' musical, this song might be a little cliched (and that's coming from someone who is from and live in Yorkshire) but its stripped back, jaunty, tongue-in-cheek tone is fun and singable. (7.5/10) Lana Del Rey - Love
Don't expect anything different in sound from Del Rey with 'Love'. It's once more dark, slow and depressing but aside from the lacklustre breakdown it's a pretty smooth and relaxing little indie number, though it's definitely more of the same. (6.5/10) Linkin Park feat. Kiiara - Heavy
Quite relaxed by Linkin Park's standards, this might split the fan base after something louder, screamier, rappier and, ironically, heavier, but the balance of vocals and the stripped back feel works for me. (7/10) Marc Almond - A Kind Of Love
It's been a while since Marc Almond has been in the musical public eye but with new music like this fun, poppy number he's clearly been missed. A simple but optimistic little pop number. (7/10) Mike Posner - In The Arms Of A Stranger (Grey Remix)
It's not a huge departure from his previous singles in terms of sound (once more a remix adds extra flavour to the record) but it's bouncy production with layered vocals in different styles gives it some gusto that carries it well. (6.5/10) Pitbull feat. Stephen Marley - Options
This slow and sultry number is actually really Stephen Marley's piece and Pitbull's contributions are pretty unnecessary and the song's better without him. (6.5/10) Young Astronaut - Chasing El Dorado
Initially coming across as quite a slow and maudlin piece, 'Chasing El Dorado' quickly grows into a building, evocative and well produced slice of indie with some western cinematic undertones and a dark, broody appeal. (7.5/10)
Young Astronaut are a diverse indie outfit. With stark
soundscapes, storming percussion and mesmerising guitars we spoke to
co-founding member Chris about their new music
Could you tell us a little
about your new single?
We’ve
put two out. The first one is ‘Chasing El Dorado’ which is actually the opening
track to our new album which is going to be called ‘A Gold Frontier’ and the
second track we put out is called ‘The Chronicles of Fall and Glory’. The first
song (Chasing El Dorado) is like a travelling song, and the first song we
recorded for the album. It was one of those songs where we had an idea of how
we wanted it to sound before we went into the studio. We were working with our
producer Jack Swan and he had a few ideas to make the chorus really percussive
so we focussed on that when we were in the studio and it came out as this blend
of indie and strong percussion.
Do you have a preference
over either single?
We
released ‘Chasing El Dorado’ because we thought it was quite representative of
the album as a whole, in terms of the sounds of the tracks, and the sounds we
were making on the album, so that’s why we chose it as the first single. ‘The
Chronicles of Fall and Glory’ is poppier and a little simpler than our other
songs. We tend to write more complicated songs but on this one we stripped it
down so there’s a heavy melodic piano that runs throughout, and we left it
quite sparse. We wanted to release that to see how people would react as it’s
different from what we did on the last album, so we picked it as it was quite
approachable and with a different sound.
Your album ‘A Gold Frontier’
is out on the 7th April. What was the recording process like?
It
was interesting. It was very different to our last album. We actually recorded
it in two halves, starting 2014. We finished off the second half last year. A
lot of the instrumentation was done in the studio and I did my vocals in our
drummer’s cupboard. He recorded all the vocals so we could spend a bit more
time getting the vocals how we wanted them to sound and spend more time doing
over-dubs and harmonies, and doing some experimentation.
We
also had a choir as well which was cool. I think there were about fifty of them
that we recorded. We used brass and strings as well. It was a little bit more
relaxed than our last album. We didn’t go in with a set number of days that we
had to record things in. By splitting it up over a couple of years we actually took
time to listen back to the tracks to see if we needed anything more, and to
listen back to the tracks. So there’s a lot of layers on the songs.
Has having that time and
freedom helped with making the album like you’d want it to be?
Having
time to reflect on the songs [helps]. After you’ve been in the studio and you
initially do the tracks, and hearing them after the demo phrase, and hearing them
quite big, it can sometimes trick you into thinking that you’re completely
happy with how everything sounds. But with time to reflect back and listen to
them, you can think ‘actually if we try this or do something like that’ it was
a good way to go.
For ‘Chasing El Dorado’
there’s a great roller disco themed video. What was that like to make?
That
was a really fun video to show. We rented the roller rink for the entire time.
It was shot in Essex; we didn’t really have a huge budget. Everything we did
was self-funded. But they let us have the entire place for the day. But we’d
also read online that it was Europe’s largest roller rink and at that time we
basically had no one to be in the video. So we had this giant roller rink and
this concept for the video, but we didn’t have anyone to be in it!
We
were concerned at first then we actually put an advert out on our Facebook page
for roller-skaters who wanted to be in the video and we got a massive response.
All the local papers picked it up and the local roller skating communities
picked it up and advertised it, and we ended up getting lots of people down. We
sent about 200 e-mails so it was way more than we thought for a small band
advertising a music video, and a lot of people wanted to get involved. We
should have put on the advert we didn’t want any children in it as we had a lot
and couldn’t account for their safety with what we wanted to do; it would be
tricky in terms of insurance. So we decided to send a lot of generic ‘we know
your child is probably a great roller skater but they can’t be in our video’
e-mails. The response was incredible.
We
had a choreographer down (called Ady). He’d choreographed the MTV awards just
before that and he’d done lots of really interesting things for the Post
Office, and had been in Starlight Express so was a competent skater himself. So
he came down, and we didn’t really think we needed to choreograph it so we were
really glad to have him down. That was a really interesting shoot, and was a
really fun experience. We did it all in
around six hours and we had the song through the actual roller disco speakers
and the whole place was like it was stuck in the 90s. It was so authentic, so
visually our director was really happy as there were so many exciting things to
film.
You have live dates coming
up in April including your album launch party. How would you describe your live
sound?
I’d
say it’s bigger than we’ve ever had before, as on our previous albums we were
more on the folky-side of our music. We played a lot of acoustics. We’ve now
got an electric set-up so it’s a lot punchier, and we’ve integrated a lot of
the electronics we used on the album into our live sound. We have tried to
portray that as best as we can, so it’s basically a punchier performance than
what we were doing before.
Finally what are your big
ambitions for the rest of 2017?
We’re
going to try and play as many songs as we can; get as many people to hear the
album as much as possible as we’ve put a lot into it and get it out there in
whatever ways we can. We have a festival date at Teddy Rock festival – a
smallish charity festival – but there’s some big headliners like Twin Atlantic
and Scouting For Girls. We’re going to play that festival and hopefully do some
more shows over the summer.
Another ten songs and albums worth listening to today! Anne-Marie - Ciao Adios
Anne-Marie continues her strong release list with this new ska-influenced single with a summery musical feel blending with club sounds and some attitude-hefty lyrics. (7/10) Black Needle Noise - Swimming Through Dreams (LP) With the title track an atmospheric, instrumental piece, it paves the way for six more songs of dark, Evanescence-like, rock tracks with various guest vocalists who give each track a different flavour. Focussing on the production and musical feelings, these are well orchestrated songs. (6.5/10) Eden Royals - Time Wont Wait 'Time Won't Wait' us a catchy little indie track with hints of 'Blossoms' but with a beefier funkier production style. Very poppy but with enough indie to hold its head up high. (7/10) Hunter Hayes - Yesterday's Song
Taking a bit of time to come to our attention this is a bouncy, perky, pop hit with a quirky and catchy chorus and a really unavoidable upbeat feel. (7/10) James Blunt - Love Me Better
The best Tweeter on the planet (?!) returns with another loved up ballad but with some nice little throwback references in the lyrics. With a chunkier backing than we usually expect from him, this is not quite as big as, say, '1973', but it's definitely another great new single from him. (7/10) Jamiroquai - Cloud 9
'Cloud 9' isn't JayKay's most memorable track but it's throwback sounds, beat and warming feel give it a pleasing, relaxing sound and that's not something to be sniffed at. (6.5/10) PaoloMorena - Treasure In The Trash With hints of Hudson Taylor or LewRey, this building indie number proves to be both catchy and singable whilst having a certain sense of vulnerability in both the lyrics and their delivery. A grower. (7/10) Tiësto feat. Bright Sparks - On My Way
This song is a bit of an anomaly as musically it's pretty derivative of similar club-sounding tracks but there's something loveable about its beat, vibe and optimism that combats any cynicism I have for its off-the-shelf and familiar feel. (7/10) Warren Attwell - Holding On For Something (EP) This six-track EP is a pop-tastic collection of great little radio-friendly tunes from the Train-like bouncy number 'Under My Skin' through to the Darren Hayes-esque ballad 'Weight of the World' via the summer swagger of 'It's Not Love', with its catchy chorus; the introspective stripped back 'Aren't We All'; the gritty and growing 'Just Maybe' and the atmospheric, building 'Only When I'm With You'. 'Holding on for Something' is a very strong EP with no filler and a great selection of hooks from a singer with a big talent. (7.5/10) Young Astronaut - Chasing El Dorado 'Chasing El Dorado' is a slowly building mid-tempo track that makes up for what it lacks in a catchy chorus with a dark and evocative production-focussed atmosphere that gives it some musical heft and beefiness that hooks you in, with slight nods to old fashioned westerns in its sound, and the chorus itself grows with each listen. (6.5/10)
